Here are a few of my shots that i believe imply the use of lines in their composition.
Here a sense of a leading line leads all the way from the bottom left of the frame up to the sun which becomes the point of rest for the eyes. This implied line is interesting because i have never captured the sun as a point of interest before.
This image has several implied lines. The first is the 'wake' line leading upwards from the first duck, we can see one wake and the other is filled in by us, the second line connects the two birds and leads diagonally bottom left to top right.
Tuesday, 20 July 2010
Thursday, 8 July 2010
iPhone photos
I just thought i'd record here for future reference a video that i found extremely inspirational. As somebody who is very worried about the quality of equipment i use this video from the team at 'fstoppers.com' was exactly what i needed to inspire me to get shooting. In the video the team do a professional photo shoot using the built in camera on an iPhone 3gS. The results are amazing.
LINK: http://fstoppers.com/iphone/
LINK: http://fstoppers.com/iphone/
Curves
Like diagonals, curves can help create an illusion of motion in an image. Again i wanted to give motion to subjects that were fairly still to see how far the effect could go.
This cup holder was full of curves and circles. The rims of the cups here seemed to give a slightly liquid feel to the composition and by cutting off the edges of the rims, they were stopped from being complete circles in which the eye would get stuck.
This wall looked very organic with the smooth curve it had when viewed from this angle. It had a sense of motion on it draws the eye right down it's length. I used a shallow DOF here to add some interest and some mystery. For me, the snake like wall has the best illusion of motion i have created.
Here i used a similar angle to that of the wall shot but with a different subject. The subtle curve of the railing sat well with me and the people passing just fill up the shot. The eye is lead into the shot from the bottom left and i think it settles on the leaning man.
Here again my subject was a basket lid (baskets seem to have become my favourite subject as of late) simply because it had literally no straight lines at all. Everything about the basket was extremely organic and fluid. It gave a very rural, natural feel to the image.
This cup holder was full of curves and circles. The rims of the cups here seemed to give a slightly liquid feel to the composition and by cutting off the edges of the rims, they were stopped from being complete circles in which the eye would get stuck.
This wall looked very organic with the smooth curve it had when viewed from this angle. It had a sense of motion on it draws the eye right down it's length. I used a shallow DOF here to add some interest and some mystery. For me, the snake like wall has the best illusion of motion i have created.
Here i used a similar angle to that of the wall shot but with a different subject. The subtle curve of the railing sat well with me and the people passing just fill up the shot. The eye is lead into the shot from the bottom left and i think it settles on the leaning man.
Here again my subject was a basket lid (baskets seem to have become my favourite subject as of late) simply because it had literally no straight lines at all. Everything about the basket was extremely organic and fluid. It gave a very rural, natural feel to the image.
Diagonals
Diagonals in photography create a sense of motion and movement. they make an image quite dynamic and can liven up an otherwise plain subject. That's what i tried to achieve with these images.
With this image the first things i noticed were odd angles of the pieces of wood and metal. The image is packed with diagonals and i think it keeps the eye scanning. I like the fact that my eye doesn't rest on a single subject. Gives a chaotic effect to the photo.
The simplicity of the diagonal flooring caught my eye here but it was to simple to capture and create something interesting from. I used an idea that i had seen in a photography magazine, to shoot down from above and include my feet in the image. It adds context and an interest that would otherwise be lacking.
I came up with this shot while experimenting with a basket. I placed my camera inside the basket facing upwards, focused roughly on the top rim and took the picture using a 2 second delay. I tried the image a few times and found that by making it a self portrait it had enough of a point of interest. the diagonals in the basket draw the eye straight into the 'frame in frame'.
Again while looking for an iteresting subject i came across this laundry basket. I was experimenting with angles and found that if you looked inside it, it almost looked like the sun with 'rays' leading out diagonally. I took the basket and held it to the sky and got this shot. It's quite a dynamic image because of the contrast of the curves and diagonals.
With this image the first things i noticed were odd angles of the pieces of wood and metal. The image is packed with diagonals and i think it keeps the eye scanning. I like the fact that my eye doesn't rest on a single subject. Gives a chaotic effect to the photo.
The simplicity of the diagonal flooring caught my eye here but it was to simple to capture and create something interesting from. I used an idea that i had seen in a photography magazine, to shoot down from above and include my feet in the image. It adds context and an interest that would otherwise be lacking.
I came up with this shot while experimenting with a basket. I placed my camera inside the basket facing upwards, focused roughly on the top rim and took the picture using a 2 second delay. I tried the image a few times and found that by making it a self portrait it had enough of a point of interest. the diagonals in the basket draw the eye straight into the 'frame in frame'.
Again while looking for an iteresting subject i came across this laundry basket. I was experimenting with angles and found that if you looked inside it, it almost looked like the sun with 'rays' leading out diagonally. I took the basket and held it to the sky and got this shot. It's quite a dynamic image because of the contrast of the curves and diagonals.
Monday, 14 June 2010
Horizontal and Vertical Lines
Here i took 8 photographs of images that i thought had strong usage of horizontal and vertical lines. Below are the results of the images i took. Some lines are obvious but some are suggested and all have different effects on the composition of the images.
In this image there are a few horizontal lines. The obvious one is the coastline towards the back of the image but there is also a line suggested by the boats in two rows.
Here there is one strong vertical line. It divides the frame in 2 down the middle and has an overpowering sense giving the image an uneasy feel.
This image feels more balanced than the last with lines formed by the fork.
Here another vertical line in the form of a shadow. The composition here feels more balanced than the last vertical.
Here horizontal lines suggested by the horizon and shorelines.
Horizontal lines here are actually 'lines' of text. They work well to lead your eye to the in focus text.
Here there are many vertical lines formed by the tree trunks. The two main trunks balance the image by being on thirds.
Another strong vertical line here separates the frame in 2. This has the same effect as mentioned previously.
In this image there are a few horizontal lines. The obvious one is the coastline towards the back of the image but there is also a line suggested by the boats in two rows.
Here there is one strong vertical line. It divides the frame in 2 down the middle and has an overpowering sense giving the image an uneasy feel.
This image feels more balanced than the last with lines formed by the fork.
Here another vertical line in the form of a shadow. The composition here feels more balanced than the last vertical.
Here horizontal lines suggested by the horizon and shorelines.
Horizontal lines here are actually 'lines' of text. They work well to lead your eye to the in focus text.
Here there are many vertical lines formed by the tree trunks. The two main trunks balance the image by being on thirds.
Another strong vertical line here separates the frame in 2. This has the same effect as mentioned previously.
Tuesday, 8 June 2010
Multiple Points
Here i took a sequence of images showing how i build up a still life image by adding and taking away 'points' to come up with a good composition. As a subject i used a CD as a background so that it was plain but still interesting and i used a straw to create droplets of water on the disk and create an interesting composition.
Below is the blow-by-blow sequence of the decisions i made.
Below is the blow-by-blow sequence of the decisions i made.
Added another 2 and former a diamond shape. Attempted to keep lines straight to balance the curved lines of the disk.
Removed the bottom droplet. The diamond didn't look random enough.
Added more droplets at the top to fill the blackness and put 2 in the bottom left to lead into the main grouping.
Removed one droplet from bottom left because having 2 distracted too much and added another large droplet at the top of the frame for more attention and one more central to keep things balanced.
This is my final image. I removed all drops that i felt didn't add to the image and added one at the top to extend what i saw as a line developing. Below is an image in which i have drawn in what i think are the lines in this image. 1 appears to radiate from the centre of the disk like the colours and the other lines form a triangle where the eye seems to settle.
Removed the bottom droplet. The diamond didn't look random enough.
Added more droplets at the top to fill the blackness and put 2 in the bottom left to lead into the main grouping.
Removed one droplet from bottom left because having 2 distracted too much and added another large droplet at the top of the frame for more attention and one more central to keep things balanced.
This is my final image. I removed all drops that i felt didn't add to the image and added one at the top to extend what i saw as a line developing. Below is an image in which i have drawn in what i think are the lines in this image. 1 appears to radiate from the centre of the disk like the colours and the other lines form a triangle where the eye seems to settle.
Relationship Between Points
Here i took 2 photographs of images containing 2 points on a plain background. The subjects aren't the most interesting since finding this sort of composition is quite difficult and doesn't occur often.
This composition is a very unconventional one. It doesn't really sit well with any of the ideas of composition i've covered so far. You could argue that the ducks are on a line of third and that the 'wake' of the right hand bird follows this line but the idea of 90% of the frame being empty isn't something that would generally work. Either way i think this image is successful, since the closeness of the 2 subjects helps the eye resolve the image and settle.
Another boring image but one which displays an opposite choice in composition to the first. The two wooden knots sit on a third which is quite standard but neither one dominates the eye's attention. i ted to bounce from one to another and the image is never resolved and never has a single dominant subject. I think this image is unsuccessful, due the the lack of interest and the lack of anyrelationship between the points.
When shooting images with several points like this it is obviously necessary to consider the implications of where one is in relation to the other. If one dominates the frame then the chances are that the image will be resolved by the viewer, if not then the image may be quite confusing and lacking in a real conclusion.
This composition is a very unconventional one. It doesn't really sit well with any of the ideas of composition i've covered so far. You could argue that the ducks are on a line of third and that the 'wake' of the right hand bird follows this line but the idea of 90% of the frame being empty isn't something that would generally work. Either way i think this image is successful, since the closeness of the 2 subjects helps the eye resolve the image and settle.
Another boring image but one which displays an opposite choice in composition to the first. The two wooden knots sit on a third which is quite standard but neither one dominates the eye's attention. i ted to bounce from one to another and the image is never resolved and never has a single dominant subject. I think this image is unsuccessful, due the the lack of interest and the lack of anyrelationship between the points.
When shooting images with several points like this it is obviously necessary to consider the implications of where one is in relation to the other. If one dominates the frame then the chances are that the image will be resolved by the viewer, if not then the image may be quite confusing and lacking in a real conclusion.
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